Post-nuclear-war dramas centering on a small group of survivors now constitute an entire genre in science-fiction films. All of them, in some way or another, can be traced back to this seminal film from 1951 in which five people deal with the possibility they are the only human beings left alive on the planet. While most of the later movies exploited this possibility for B-movie thrills, Five adopts a quiet, contemplative tone which some may find dull but which thoughtful viewers are more likely to find, for want of a better word, haunting. There is something about this movie which gets under the skin and which lurks in the corners of the mind long after it's over.
从影评人到普通观众，《最后五个人》得到了各界的广泛关注和讨论。影评人们称赞其在情节设计和人物刻画上的巨大突破。
《最后五个人》该片讲述了少女一路与命运的抗争，最终找到自我，也收获纯真情缘的故事。电影延续原著原剧，准备唤起全民对这段师徒虐恋的追剧回忆。
没有精心搭建的造景、没有靠灯光营造的氛围，更没有强情节、快节奏、多反转的人造戏剧元素
大自然是人物的舞台，人在自然中“自然”地生存着，人与自然浑然一体。草原、河流、山峦、羊群、马匹、与人的生存状态，水乳交融地构成和还原了一种原生态关系。
